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在美国有一座古老的小山丘，山上的教堂里有个叫做保儿之家的孤儿院。里面的两个修女宝妮和雷恩照顾着许多孤儿。在一个大雪的夜晚两个修女听到了婴儿的哭声从外面传来，顺着哭声找去看到了两个在襁褓里的婴儿。她们分别叫甜甜怀特和安妮，转眼10年过去了，小伙伴们渐渐的都被领养走了，甜甜却不愿离开，她和安妮就像亲姐妹一样不愿分开。一次她和安妮外出遇到危险被有钱人布莱顿救下，后来安妮被布莱顿夫妇收养过上了幸福生活。一天甜甜思念安妮在山坡上哭泣，遇到了吹着风笛像童话里王子一样的英俊少年，自从遇到这位心中的白马王子后，甜甜对美好的未来充满了希望。在孤儿院最被宠爱的甜甜，后来来到莱根家给伊莎小姐当玩伴，第一天到莱根家就被伊莎和尼爾兄妹欺负，今后究竟怎样的命运在等带着甜甜呢？。In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。